Important: Read me first! |
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xvi | |
How to use this book |
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xvii | |
Preface: What's New in Illustrator CS? |
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2 | (1) |
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Computer & System Requirements |
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2 | (1) |
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2 | (3) |
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5 | (1) |
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6 | (2) |
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8 | (1) |
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9 | (2) |
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11 | (1) |
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Selecting & Grouping Objects |
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12 | (2) |
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14 | (1) |
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15 | (2) |
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17 | (2) |
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19 | (3) |
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22 | (2) |
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24 | (1) |
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25 | (1) |
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26 | (2) |
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28 | (3) |
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31 | (1) |
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32 | (1) |
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PostScript Printing & Exporting |
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33 | (2) |
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35 | (1) |
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36 | (1) |
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37 | (3) |
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40 | (2) |
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Building Houses: Sequential Object Construction Exercises |
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42 | (6) |
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A Classic Icon: Five Ways to Re-create Simple Shapes |
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48 | (2) |
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50 | (2) |
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52 | (1) |
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Creating a Simple Object Using the Basic Tools |
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53 | (1) |
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A Finger Dance: Turbo-charge with Illustrator's Power-keys |
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54 | (10) |
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64 | (1) |
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64 | (5) |
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Expanding Your Drawing & Coloring Toolset |
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69 | (3) |
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72 | (6) |
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Simple Realism: Realism from Geometry and Observation |
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78 | (3) |
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81 | (1) |
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Cutting & Joining: Basic Path Construction with Pathfinders |
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82 | (4) |
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Add & Expand: More Pathfinder Palette Basics |
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86 | (2) |
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Divide & Color: Applying Pathfinder Divide & Subtract |
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88 | (2) |
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Cubist Constructs: Creative Experimentation with Pathfinders |
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90 | (2) |
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Isometric Systems: Arrow Keys, Constrain Angles & Formulas |
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92 | (2) |
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94 | (2) |
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Objective Colors: Custom Labels for Making Quick Changes |
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96 | (2) |
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98 | (8) |
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Distort Dynamics: Adding Character Dynamics with Transform |
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106 | (2) |
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Distort Filter Flora: Applying Distort Filters to Create Flowers |
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108 | (3) |
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111 | (1) |
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Vector Photos: Pen and Eyedropper Technique |
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112 | (3) |
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115 | (1) |
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Advanced Technique: Intricate Patterns: Designing Complex Repeating Patterns |
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116 | (2) |
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118 | (2) |
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120 | (1) |
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120 | (3) |
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123 | (1) |
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Symbols vs. Scatter Brushes |
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124 | (1) |
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125 | (1) |
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Ink Brush Strokes: Making Naturalistic Pen and Ink Drawings |
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126 | (2) |
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128 | (4) |
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Preparing Art: Adding Brushes to Existing Artwork |
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132 | (2) |
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Pattern Brushes: Creating Details with the Pattern Brush |
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134 | (2) |
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136 | (4) |
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Building Brushes: Building Brushes for Lettering |
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140 | (2) |
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Advanced Technique: Map Techniques: Simplifying Complex Image Creation |
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142 | (3) |
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145 | (1) |
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Symbol Basics: Creating and Working with Symbols |
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146 | (3) |
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149 | (1) |
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Advanced Technique: Organic Creation: Painting with Brushes, Symbols, and Mesh |
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150 | (2) |
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Special Brushes Supplement |
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152 | (4) |
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156 | (4) |
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Controlling the Stacking Order of Objects |
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160 | (2) |
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Making Selections using the Layers Palette |
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162 | (1) |
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163 | (1) |
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Digitizing a Logo: Controlling Your Illustrator Template |
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164 | (2) |
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Tracing Details: Tracing Intricate Details with the Pencil |
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166 | (2) |
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Colors with Layers: Coloring Black & White Images with Layers |
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168 | (2) |
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Organizing Layers: Managing Custom Layers and Sublayers |
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170 | (3) |
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173 | (1) |
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Nested Layers: Organizing with Layers and Sublayers |
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174 | (2) |
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Advanced Technique: Varied Perspective: Analyzing Different Views of Perspective |
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176 | (4) |
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180 | (4) |
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Working with Threaded Text |
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184 | (1) |
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Wrapping Text Around Objects |
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185 | (1) |
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Character and Paragraph Styles |
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185 | (1) |
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Taking Advantage of OpenType |
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186 | (1) |
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187 | (1) |
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188 | (1) |
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More Type Functions (Type & Window menus) |
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188 | (1) |
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Converting Type to Outlines |
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189 | (2) |
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Using the Appearance Palette with Type |
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191 | (2) |
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Exporting Illustrator Type |
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193 | (1) |
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Custom Text Paths: Trickling Type with Variations of Type Style |
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194 | (2) |
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Stretching Type: Fitting Type by Converting to Outline |
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196 | (2) |
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198 | (2) |
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Masking Letters: Masking Images with Letter Forms |
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200 | (1) |
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201 | (1) |
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Book Cover Design: Illustrator as a Stand-alone Layout Tool |
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202 | (2) |
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Brushed Type: Applying Brushes to Letterforms |
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204 | (2) |
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206 | (6) |
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Crunching Type: Transforming Type with Warps & Envelopes |
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212 | (2) |
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Advanced Technique: Offset Fills: Covering a Pattern with an Offset Fill |
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214 | (2) |
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Advanced Technique: Antiquing Type: Applying Scribble in an Opacity Mask |
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216 | (2) |
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218 | (2) |
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220 | (3) |
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223 | (2) |
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225 | (1) |
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Examining Blends: Learning When to Use Gradients or Blends |
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226 | (2) |
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Shades of Blends: Creating Architectural Linear Shading |
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228 | (1) |
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229 | (5) |
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Unlocking Realism: Creating Metallic Reflections with Blends |
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234 | (2) |
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236 | (2) |
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Unified Gradients: Redirecting Fills with the Gradient Tool |
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238 | (1) |
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239 | (5) |
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Rolling Mesh: Converting Gradients to Mesh and Editing |
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244 | (2) |
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Advanced Technique: Mastering Mesh: Painting with Areas of Color Using Mesh |
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246 | (3) |
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249 | (5) |
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Transparency & Appearances |
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254 | (1) |
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254 | (9) |
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263 | (1) |
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The Finer Points of Appearances |
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264 | (2) |
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Transparency 101: Assigning Opacity to Default Brushes |
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266 | (2) |
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Advanced Technique: Transparent Color: Customizing Transparent Brushes & Layers |
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268 | (4) |
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Basic Transparency: Blending Modes, Opacity & Isolate Blending |
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272 | (2) |
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Basic Highlights: Making Highlights with Transparent Blends |
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274 | (1) |
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275 | (3) |
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Basic Appearances: Making and Applying Appearances |
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278 | (2) |
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Floating Type: Type Objects with Transparency & Effects |
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280 | (2) |
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Advanced Technique: Tinting a Scan: Using Transparency Effects & Simplify Path |
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282 | (2) |
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Advanced Technique: It's a Knockout!: See-through Objects with a Knockout Group |
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284 | (2) |
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Advanced Technique: Opacity Masks 101: Applying Glows and Using Opacity Masks |
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286 | (2) |
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288 | (4) |
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Live Effects & Graphic Styles |
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292 | (1) |
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292 | (1) |
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293 | (1) |
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293 | (5) |
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298 | (1) |
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298 | (2) |
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300 | (1) |
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Effect > Pathfinder > Hard Mix and Soft Mix |
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301 | (1) |
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Graphic Styles in Illustrator |
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302 | (1) |
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303 | (1) |
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Scratchboard Art: Using Multiple Strokes, Effects, and Styles |
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304 | (2) |
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Embossing Effects: Building 3D Appearances |
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306 | (2) |
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Blurring The Lines: Photorealism with Blends and Effects |
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308 | (3) |
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311 | (1) |
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Warps & Envelopes: Using Warping and Enveloping Effects |
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312 | (4) |
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Quick & Easy 3D: Simple 3D techniques |
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316 | (2) |
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3D Effects: Extruding, Revolving, and Rotating Paths |
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318 | (3) |
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321 | (5) |
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Scribble Basics: Applying Scribble Effects to Artwork |
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326 | (2) |
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328 | (2) |
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330 | (1) |
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330 | (3) |
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Mask Problem-Solving Strategies |
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333 | (1) |
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Advanced Technique: Colorful Masking: Fitting Blends into Custom Shapes |
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334 | (2) |
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Advanced Technique: Reflective Masks: Super-Realistic Reflection |
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336 | (2) |
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338 | (4) |
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Advanced Technique: Glowing Starshine: Blending Custom Colors to Form a Glow |
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342 | (1) |
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343 | (5) |
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Advanced Technique: Masking Opacity: Making Transparency Irregular |
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348 | (2) |
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Advanced Technique: Modeling Mesh: Shaping and Forming Mesh Objects |
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350 | (3) |
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353 | (5) |
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358 | (1) |
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Working in RGB in Illustrator |
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358 | (1) |
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A few thoughts on RGB and CMYK color |
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358 | (1) |
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Assigning URL'S and Slicing |
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359 | (2) |
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361 | (1) |
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362 | (2) |
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364 | (1) |
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365 | (2) |
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367 | (1) |
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Off in a Flash: Making Artwork for a Flash Animation |
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368 | (3) |
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371 | (1) |
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Layering Frames: Turning Layered Artwork into Keyframes |
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372 | (2) |
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Webward Ho!: Designing a Web Page in Illustrator |
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374 | (3) |
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377 | (1) |
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Advanced Technique (Illustrator with Photoshop): Making Waves: Transforming and Blending for Animation |
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378 | (4) |
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Illustrator & Other Programs |
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382 | (1) |
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Placing Artwork in Illustrator |
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382 | (1) |
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Illustrator & Other Programs |
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383 | (1) |
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Illustrator & Adobe Photoshop |
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384 | (1) |
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Illustrator & Adobe InDesign |
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385 | (1) |
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Illustrator, PDF & Adobe Acrobat |
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385 | (1) |
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Illustrator & Adobe Streamline |
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386 | (1) |
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Illustrator & 3D programs |
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386 | (1) |
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387 | (1) |
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Illustrator with Photoshop: Software Relay: An Illustrator-Photoshop Workflow |
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388 | (3) |
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391 | (1) |
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Advanced Technique: Illustrator with Photoshop: Shape Shifting: Exporting Paths to Shapes in Photoshop |
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392 | (2) |
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394 | (14) |
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Artists Appendix |
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408 | (4) |
Resources Appendix |
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412 | (1) |
General Index |
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413 | |