| List of Figures |
|
viii | |
| Notes on the Contributors |
|
ix | |
| Acknowledgements |
|
xii | |
| Introduction |
|
|
Andy Bennett and Keith Kahn-Harris |
|
|
1 | (50) |
|
The Origins of Subcultural Theory |
|
|
2 | (2) |
|
Subcultural Theory and the CCCS |
|
|
4 | (2) |
|
|
|
6 | (5) |
|
|
|
11 | (3) |
|
The Continued Significance of Subcultural Debates |
|
|
14 | (4) |
|
|
|
18 | (3) |
| PART 1: THEORETICAL READINGS |
|
|
1 Culture, Subculture and Social Organization |
|
|
|
|
|
21 | (15) |
|
Culture, Subculture and the Sociological Discourse |
|
|
23 | (3) |
|
Weber and the 'Concepts of Collective Entities' |
|
|
26 | (2) |
|
The Deconstruction of Collective Concepts |
|
|
28 | (2) |
|
|
|
30 | (4) |
|
|
|
34 | (2) |
|
2 Fragmented Culture and Subcultures David Chaney |
|
|
36 | (15) |
|
Subcultures and Cultural Diversity |
|
|
36 | (1) |
|
Changing Forms of Culture |
|
|
37 | (5) |
|
The Changing Character of Culture |
|
|
42 | (4) |
|
The Fragmentation of Culture |
|
|
46 | (2) |
|
|
|
48 | (3) |
| PART 2: CASE STUDIES |
|
|
3 'It's Like Canada Reduced': Setting the Scene in Montreal |
|
|
|
|
|
51 | (14) |
|
|
|
52 | (4) |
|
|
|
56 | (1) |
|
|
|
57 | (5) |
|
|
|
62 | (1) |
|
|
|
63 | (1) |
|
|
|
64 | (1) |
|
4 Dance Nations: Rethinking Youth Subcultural Theory |
|
|
|
Ben Carrington and Brian Wilson |
|
|
65 | (14) |
|
Dance Music and Subcultural Theory |
|
|
66 | (5) |
|
|
|
71 | (5) |
|
|
|
76 | (2) |
|
|
|
78 | (1) |
|
|
|
78 | (1) |
|
5 Tourists and Travellers? 'Subcultures', Reflexive Identities and Neo-Tribal Sociality |
|
|
|
|
|
79 | (15) |
|
|
|
80 | (5) |
|
Neo-tribes and Emergent Socialities |
|
|
85 | (3) |
|
|
|
88 | (4) |
|
|
|
92 | (1) |
|
|
|
93 | (1) |
|
6 Teenage Girls"Bedroom Culture': Codes versus Zones |
|
|
|
|
|
94 | (13) |
|
Researching Bedroom Culture |
|
|
95 | (1) |
|
|
|
95 | (3) |
|
Bedroom Culture in the 1990's |
|
|
98 | (2) |
|
|
|
100 | (3) |
|
|
|
103 | (2) |
|
|
|
105 | (1) |
|
|
|
106 | (1) |
|
7 Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene |
|
|
|
|
|
107 | (12) |
|
|
|
108 | (3) |
|
Everyday Life and Scenic Involvement |
|
|
111 | (1) |
|
|
|
112 | (5) |
|
|
|
117 | (2) |
|
8 Youth Strategies for Glocal Living: Space, Power and Communication in Everyday Cultural Practice |
|
|
|
|
|
119 | (16) |
|
Alternative Modernities and Subcultural Theories |
|
|
120 | (1) |
|
Modernity, Consumption and Choice: Preconditions for 'Post-subculturalism'? |
|
|
121 | (3) |
|
'Progressives' and 'Normals': Strategies for Glocal Living |
|
|
124 | (5) |
|
Beneath Style: Space, Power and Communication |
|
|
129 | (2) |
|
|
|
131 | (2) |
|
|
|
133 | (2) |
|
9 The Goth Scene and (Sub)Cultural Substance |
|
|
|
|
|
135 | (13) |
|
The Goth Scene and Objections to the CCCS |
|
|
136 | (3) |
|
Alternatives to Subculture |
|
|
139 | (2) |
|
|
|
141 | (5) |
|
Self-sufficient and Self-contained? |
|
|
146 | (1) |
|
|
|
146 | (1) |
|
|
|
147 | (1) |
|
10 Buffy Night at the Seven Stars: A 'Subcultural' Happening at the 'Glocal' Level |
|
|
|
|
|
148 | (14) |
|
Where Have All the Subcultures Gone? |
|
|
148 | (1) |
|
Youth Cultures, Localities and Spaces to Play |
|
|
149 | (2) |
|
'Fictionalized' Sites or 'A Place Where Everyone Knows Your Name' ... |
|
|
151 | (2) |
|
|
|
153 | (1) |
|
'Corning Out of the Closet' |
|
|
154 | (1) |
|
The Importance of Time, Place and Subjectivity |
|
|
155 | (2) |
|
The Stars Becomes The Angas |
|
|
157 | (1) |
|
Other Possibilities: The Hilton and Tavern 540 |
|
|
158 | (1) |
|
|
|
158 | (1) |
|
|
|
159 | (1) |
|
|
|
159 | (1) |
|
|
|
160 | (2) |
|
11 Virtual Subculture? Youth, Identity and the Internet |
|
|
|
|
|
162 | |
|
Subculture and the Internet |
|
|
163 | (2) |
|
Online/Oflline Continuities in Contemporary Youth Culture |
|
|
165 | (3) |
|
Virtual Subculture as a Creative Strategy |
|
|
168 | (4) |
|
|
|
172 | |
| Afterword |
|
|
|
|
173 | (5) |
| Notes |
|
178 | (1) |
| Bibliography |
|
179 | (14) |
| Index |
|
193 | |