
Approaches to Teaching the Works of Oscar Wilde
by Smith, Philip E.Buy New
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Summary
Table of Contents
Preface to the Series | p. ix |
Preface to the Volume | p. xi |
Materials | |
Classroom Texts | p. 3 |
Online Texts | p. 4 |
The Instructor's Library | p. 5 |
Reference Works | p. 5 |
Biographical Resources | p. 6 |
Critical Collections | p. 8 |
Critical Studies | p. 8 |
Intellectual and Critical Contexts: Fin de Siecle Europe and America | p. 14 |
Selected Web Sites | p. 15 |
Approaches | |
Introduction: Wilde's Challenge to Teachers | p. 19 |
Contexts for Teaching Wilde | |
The Critic as Student: An Argumentative Approach | p. 24 |
The Irish Wilde | p. 35 |
Oscar Wilde and the 1890s: A Single-Figure Course | p. 42 |
Teaching Wilde's Fiction: The Picture of Dorian Gray, the Short Stories, and the Fairy Tales | |
Gray Zones: Teaching The Picture of Dorian Gray as a Victorian Novel | p. 52 |
Teaching The Picture of Dorian Gray as a "Gay" Text | p. 62 |
Dorian Gray in the Twentieth Century: The Politics and Pedagogy of Filming Oscar Wilde's Novel | p. 75 |
The Shorter Fiction Approached and Questioned | p. 83 |
Teaching Wilde's Fairy Tales: Aestheticism as Social and Cultural Critique in "The Happy Prince" and "The Nightingale and the Rose" | p. 93 |
Teaching Wilde's Comedies | |
An Introductory Approach to Teaching Wilde's Comedies | p. 100 |
A Method for Using Biography in the Teaching of Oscar Wilde's Comedies | p. 108 |
Teaching Melodrama, Modernity, and Postmodernity in Lady Windermere's Fan | p. 117 |
Wilde about Ibsen: The Fusion of Dramatic Modes in A Woman of No Importance | p. 126 |
Wilde in the Comparative Arts Course: Teaching An Ideal Husband | p. 135 |
Form and Freedom in The Importance of Being Earnest | p. 142 |
Teaching Salome: A Test Case for Modern Approaches | |
Teaching Oscar Wilde's Salome in a Theater History and Dramatic Literature Seminar | p. 151 |
Oscar Wilde and the Motif of Looking: An Approach to Teaching Gender Issues in Salome | p. 157 |
Viewing Salome Symbolically | p. 163 |
Salome, C'est Moi? Salome and Wilde as Icons of Sexual Transgression | p. 171 |
Unveiling Salome: The Word-Made-Flesh Undone | p. 180 |
Teaching Wilde's Criticism | |
Using Wilde's Intentions to Help Students Establish Wilde's Intentions | p. 188 |
Teaching Oscar Wilde: "The Portrait of Mr. W. H." and the Crisis of Faith in Victorian England and English Studies | p. 196 |
Teaching Wilde's Trial and Later Writing | |
Tomorrow on Trial: Wilde's Case in the Classroom | p. 204 |
The Love That Dare Not Teach Its Name: Wilde, Religious Studies, and Teaching Tolerance | p. 212 |
Learning the Importance of Being an Earnest Reader through De Profundis and Gross Indecency | p. 220 |
"All Men Kill the Thing They Love": Romance, Realism, and The Ballad of Reading Gaol | p. 230 |
Notes on Contributors | p. 249 |
Survey Respondents | p. 253 |
Works Cited | p. 255 |
Index | p. 273 |
Table of Contents provided by Ingram. All Rights Reserved. |
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