
A Companion to Herman Melville
by Editor: Wyn Kelley (Massachusetts Institute of Technology, USA)Rent Textbook
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Summary
Table of Contents
List of Illustrations | |
Notes on Contributors | |
Acknowledgements | |
Texts and Abbreviations | |
Preface | |
Travels. | |
A Traveling Life | |
Cosmopolitanism and Traveling Culture | |
Melville's World Readers | |
Global Melville | |
Geographies. | |
Science and the Earth | |
Ships, Whaling, and the Sea | |
Pacific Paradises | |
Atlantic Trade | |
Ancient Lands | |
Nations. | |
Democracy and its Discontents | |
Urbanization, Class Struggle, and Reform | |
Wicked Books: Melville and Religion | |
Pierre's Bad Associations: Public Life in the Institutional Nation | |
Melville, Slavery, and the American Dilemma | |
Gender and Sexuality | |
Libraries. | |
The Legacy of Britain | |
Romantic Philosophy, Transcendentalism, and Nature | |
Literature of Exploration and the Sea | |
Death and Literature: Melville and the Epitaph | |
The Company of Women Authors | |
Hawthorne and Race | |
"Unlike Things Must Meet and Mate": Melville and the Visual Arts | |
Texts. | |
The Motive for Metaphor: Type, Omoo, and Mardi | |
Artist at Work: Redburn | |
The Language of Moby-Dick: "Read It If You Can" | |
Threading the Labyrinth: Moby-Dick as Hybrid Epic | |
The Female Subject in Pierre and The Piazza Tales | |
Narrative Shock in "Bartleby, the Scrivener, " "The Paradise of Bacherlors and the Tartars of Maids," and "Benito Cereno" | |
Fluid Identity in Israel Potter and The Confidence-Man | |
How Clarel Works | |
Melville the Realist Poet | |
Melville's Transhistorical Voice: Billy Budd, Sailor and the Fragmentation of Forms | |
Meenings. | |
The Melville Revival | |
Creating Icons: Melville in Visual Media and Popular Culture | |
The Melville Text | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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