
A Concise Companion to Contemporary British and Irish Drama
by Editor: Nadine Holdsworth (University of Warwick); Editor: Mary Luckhurst (University of York)Rent Textbook
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Summary
Table of Contents
List of Illustrations | |
Notes on Contributors | |
Acknowledgements | |
Introduction | |
National Politics and Identities | |
Europe in Flux: Exploring Revolution and Migration in British Plays of the 1990s | |
ÆIÆll See You YesterdayÆ Brian Friel, Tom Murphy and the Captivating Past | |
Black British Drama and the Politics of Identity | |
Northern Irish Drama: Speaking the Peace | |
Sites, Cities and Landscapes | |
The Production of æSiteÆ: Site-Specific Theatre | |
Staging an Urban Nation: Place and Identity in Contemporary Welsh Theatre | |
The Landscape of Contemporary Scottish Drama: Place, Politics and Identity | |
The Body, Text and the Real | |
The Body's Cruel Joke: The Comic Theatre of Sarah Kane | |
Physical Theatre: Complicite and the Question of Authority | |
Verbatim Theatre, Media Relations and Ethics | |
Science, Ethics and New Technologies | |
Theatre and Science | |
From the State of the Nation to Globalization: Shifting Political Agendas in Contemporary British Playwriting | |
Theatre for a Media-Saturated Age | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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