
Confraternities and the Visual Arts in Renaissance Italy
by Wisch, Barbara; Ahl, Diane ColeBuy New
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Summary
Table of Contents
Introduction | |
Confraternity and community: mobilizing the sacred in times of Plague | |
'In corpo di compagnia': art and devotion in the Compagnia della Purificazione e di San Zanobi of Florence | |
The Compagnia della Purificazione e di San Zanobi in Florence: a reconstruction of its Residence at San Marco, 1440-1506 | |
The acquisition of art by a Florentine youth confraternity: the case of Arcangelo Raffaello | |
The QualitĂ of mercy: (re)building confraternal charities in Renaissance Bologna | |
Passion, compassion, and the sorrows of women: Niccolò dell'Arca's Lamentation over the Dead Christ for the Bolognese confraternity of Santa Maria della Vita | |
The decorum of the Passion: the plays of the confraternity of the Gonfalone in the Roman Colosseum, 1490-1539 | |
New themes for new rituals: the Crucifixion Altarpiece by Roviale Spagnuolo for the Oratory of the Gonfalone in Rome | |
Appropriating space: woman's place in the confraternal life at Santo Spirito in Sassia, Rome | |
'E faucibus daemonis': daughters of prostitutes, the first Jesuits, and the Compagnia delle Vergini Miserabili di Santa Caterina della Rosa | |
'She is among all virgins the queen ... so worthy a patron ... for maidens to copy': Livio Agresti, Cardinal Federico Cesi, and the Compagnia delle Vergini Miserabili di Santa Caterina della Rosa Louise | |
Selected bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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