A dazzling anthology of essays by some of America's best writers, drawn from the past quarter century. AN ANCHOR ORIGINAL.

The past two decades in America have seen a blossoming of creative nonfiction, and no one is better suited to curate that exciting resurgence than Phillip Lopate. In this remarkable collection, he mingles new and younger voices--like Samantha Irby, Meghan O'Gieblyn, Leslie Jamison, Rivka Galchen, Karen Russell, and Teju Cole--with such long-established eminences as John McPhee, Barry Lopez, Louise Gluck, Geoff Dyer, and Joyce Carol Oates. He brings together a wide variety of perspectives and styles, in the work of Anne Carson, Nicholson Baker, Hilton Als, Alexander Chee, Margo Jefferson, Laura Kipnis, Wesley Yang, Eileen Myles, Meghan Daum, David Sedaris, and many more. The result is a treat for anyone who loves fantastic writing.

PHILLIP LOPATE is the author of To Show and to Tell: The Craft of Literary Nonfiction and four essay collections, Bachelorhood, Against Joie de Vivre, Portrait of My Body, and Portrait Inside My Head. He is the editor of the anthologies The Glorious American Essay, The Golden Age of the American Essay, The Art of the Personal Essay, Writing New York, and American Movie Critics. He was awarded a John Simon Guggenheim Fellowship, a New York Public Library Center for Scholars and Writers Fellowship, two National Endowment for the Arts grants, and two New York Foundation for the Arts grants. He is a professor of writing at Columbia University's nonfiction MFA program and lives in Brooklyn, New York.

Introduction by Phillip Lopate

“I Am The Happiness Of This World” by Hilton Als
“One Summer” by Nicholson Baker
”Portrait of the Bagel As a Young Man” by Thomas Beller        
Excerpt from "On Immunity" by Eula Biss     
“Tactless” by Mary Cappello          
“Decreation” by Anne Carson         
“Home Alone” by Terry Castle       
“Girl” by Alexander Chee        
“Black Body” by Teju Cole
“Greedy Sleep” by Bernard Cooper
“The Doctor Is A Woman” by Sloane Crosley      
“Loitering” by Charles D'Ambrosio            
“Matricide” by Meghan Daum        
“Otherwise Known As The Human Condition (with particular reference to Doughnut Plant doughnuts)” by Geoff Dyer          
“CID–LAX–BOG” by Lina Ferreira           
“Faculty Wife” by Emily Fox Gordon        
“Doing No Harm: Some Thoughts on Reading and Writing in the Age of Umbrage” by Lynn Freed     
“The Case of the Angry Daughter” by Rivka Galchen      
“Scat” by Ross Gay    
“On Revenge” by Louise Gluck      
“Other People’s Secrets” by Patricia Hampl          
“The Aquarium” by Aleksandar Hemon     
“The Terror of Love” by Samantha Irby    
“The Empathy Exams” by Leslie Jamison    
“Negroland” by Margo Jefferson    
“Domestic Gulags” by Laura Kipnis          
“Ann: Death and the Maiden” by David Lazar           
“Dear Friend, from My Life I Write to You in Your Life” by Yiyun Li      
“Experience Necessary” by Phillip Lopate            
“The Invitation” by Barry Lopez    
“Bodies in Motion and at Rest” by Thomas Lynch           
“Draft No. 4” by John McPhee        
“Live Through That?!” by Eileen Myles      
Excerpt from The Argonauts by Maggie Nelson   
“Homeschool” by Meghan O’Gieblyn        
“A Visit to San Quentin” by Joyce Carol Oates    
“Busted in New York” by Darryl Pinckney           
“Against ‘Gunmetal’” by Lia Purpura        
“Beeper World” by Karen Russell  
“This Old House” by David Sedaris           
“Differences: Sex, Separateness & Marriage” by Shifra Sharlin
“Information Sickness” by David Shields        
“Gray Area: Thinking With a Damaged Brain” by Floyd Skloot      
“Cassandra Among the Creeps” by Rebecca Solnit          
“Eric Garner and Me” by Clifford Thompson        
“We Out Here” by Wesley Yang