The Frenzy of Renown Fame and Its History

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Format: Paperback
Pub. Date: 1987-12-10
Publisher(s): Oxford University Press
List Price: $14.95

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Summary

What is fame? A name? A face? The "it" in "making it"? In this wide-ranging and ambitious book, Leo Braudy traces the evolving definition of fame from the time of Homer to the present. As Braudy points out, fame is far from just a 20th-century obsession: it has a history, and the twists and turns of that history have determined the terms by which we now understand the phenomenon. Beginning with the Homeric epics and exploits of Alexander the Great, and proceeding to our current idolatry of media figures, the book explains how the definition of fame depends on the political and social system in which it is found, the culture's concept of what a person is, and, of course, the media available for disseminating images. Over the past 2,500 years, fame has had a variety of meanings: from the Roman commitment to public action and the Christian belief that God is the ultimate audience; to the Renaissance idea of the heroic artist and 19th-century notions of posterity and the avant garde; to the idealization of the king and the view that movie stars are the consummate role models. Drawing on art, literature, political history, religion, and philosophy, The Frenzy of Renown offers a fascinating parade of personalities--Julius Caesar and Jesus, Charlemagne and Shakespeare, Emily Dickinson and Abraham Lincoln, Adolf Hitler and Marilyn Monroe--all of whom have changed the way everyone appears in the eyes of others.

Author Biography


About the Author:
Leo Braudy is Leo S. Bing Professor of Literature at the University of Southern California and the author of such books as Narrative Form in History, Jean Renoir, and The World in a Frame.

Table of Contents

The Urge to be Unique
Above It All: Lindbergh and Hemingwayp. 19
The Longing of Alexanderp. 29
The Destiny of Rome
Public Men and the Fall of the Roman Republicp. 55
The Authority of Augustusp. 90
The Emptiness of Public Fame
The Uneasy Truce: Authority and Authorshipp. 115
Christianity and the Fame of the Spiritp. 150
The Intercession of Art
The Imagery of Invisible Powerp. 193
The Intermediary and His Audiencep. 219
Printing and Portraiture: The Dissemination of the Uniquep. 265
The Democratization of Fame
From Monarchs to Individualistsp. 315
The Posture of Reticence and the Sanction of Neglectp. 390
Democratic Theater and the Natural Performerp. 450
Conclusion: The Dream of Acceptability
Afterword to the Vintage Edition: Fame Without History
References
Index
Table of Contents provided by Blackwell. All Rights Reserved.

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