Audio Examples |
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xii | |
About The Garland Encyclopedia of World Music |
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xvii | |
Preface |
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xix | |
Editorial Advisers |
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xxiv | |
Contributing Authors |
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xxv | |
Part 1 The United States and Canada as a Musical Area |
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1 | (38) |
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Musical Profile of the United States and Canada |
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2 | (19) |
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Sources, Scholarship, and Historiogrpahy |
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21 | (18) |
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Part 2 Music in Social and Cultural Contexts |
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39 | (324) |
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41 | (100) |
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42 | (13) |
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Regula Burckhardt Qureshi |
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Snapshot: Two Views of Music and Class |
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55 | (8) |
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55 | (4) |
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Scene: 25 April 1857, New York City |
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59 | (17) |
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Race, Ethnicity, and Nationhood |
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Snapshot: Two Views of Music, Race, Ethnicity, and Nationhood |
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76 | (11) |
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76 | (5) |
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African American Cries, Calls, and Hollers |
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81 | (6) |
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Jacqueline Cogdell DjeDje |
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87 | (16) |
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Snapshot: Gendering Music |
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103 | (13) |
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Mama Yancey and the Blues |
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103 | (4) |
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K. D. Lang and Gender Performance |
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107 | (4) |
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Heavy Metal and the Construction of Masculinity: Led Zeppelin |
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111 | (5) |
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116 | (13) |
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Snapshot: Three Views of Music and Religion |
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129 | (12) |
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The Influence of Asian Religious Ideas on American Music |
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129 | (5) |
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134 | (2) |
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Sharon: ``Make a Joyful Noise'' |
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136 | (5) |
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141 | (132) |
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142 | (11) |
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Snapshot: How Music and Place Intertwine |
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153 | (20) |
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153 | (5) |
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158 | (10) |
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Indie Pop in Champaign-Urbana, Illinois |
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168 | (5) |
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Orchestral and Chamber Music in the Twentieth Century |
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173 | (6) |
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Popular Music of the Parlor and Stage |
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179 | (23) |
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202 | (4) |
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206 | (21) |
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Snapshot: Two Popular Dance Forms |
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227 | (8) |
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227 | (3) |
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230 | (5) |
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235 | (15) |
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Snapshot: Two Forms of Electronic Music |
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250 | (6) |
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MuchMusic and MusiquePlus |
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250 | (2) |
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252 | (4) |
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256 | (12) |
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Snapshot: Marketing Classical Music |
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268 | (5) |
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Processes and Institutions |
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273 | (48) |
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274 | (14) |
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288 | (16) |
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Snapshot: Four Views of Music, Government, and Politics |
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304 | (17) |
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Campaign Music in the United States |
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304 | (7) |
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A Navajo Medicine Bundle Is Repatriated |
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311 | (2) |
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Government, Politics, and Popular Music in Canada |
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313 | (2) |
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Protest Music of the 1960s |
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315 | (6) |
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Border Crossings and Fusions |
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321 | (42) |
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Blurring the Boundaries of Social and Musical Identities |
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322 | (12) |
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334 | (29) |
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New and Experimental Genres |
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334 | (3) |
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337 | (5) |
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Intercultural Traditions on the Canadian Prairies |
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342 | (3) |
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345 | (2) |
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347 | (16) |
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Part 3 Musical Cultures and Regions |
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363 | (920) |
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Music of the American Indians/First Nations in the United States and Canada |
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365 | (138) |
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366 | (8) |
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374 | (9) |
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383 | (11) |
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394 | (10) |
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404 | (8) |
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412 | (8) |
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420 | (8) |
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428 | (12) |
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440 | (11) |
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451 | (10) |
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461 | (5) |
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466 | (6) |
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472 | (8) |
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480 | (11) |
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American Indian Musical Repatriation |
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491 | (12) |
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503 | (552) |
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Identity, Diversity, and Interaction |
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504 | (15) |
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Overview of Music in the United States |
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519 | (35) |
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Snapshot: Four Views of Music in the United States |
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554 | (17) |
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Concert Music at the End of the Nineteenth Century |
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554 | (4) |
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558 | (3) |
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The Piano and Women of Accomplishment |
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561 | (2) |
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563 | (8) |
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571 | (1) |
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572 | (20) |
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592 | (11) |
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603 | (11) |
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614 | (10) |
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624 | (13) |
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637 | (13) |
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650 | (17) |
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667 | (13) |
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680 | (7) |
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687 | (5) |
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692 | (13) |
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705 | (12) |
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South American, Central American, Mexican, and Caribbean Musics |
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717 | (1) |
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718 | (16) |
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734 | (20) |
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754 | (16) |
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770 | (13) |
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783 | (7) |
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790 | (12) |
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Haitian and Franco-Caribbean Music |
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802 | (6) |
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808 | (5) |
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813 | (6) |
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819 | (1) |
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820 | (11) |
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English and Scottish Music |
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831 | (11) |
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842 | (5) |
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847 | (7) |
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854 | (6) |
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860 | (4) |
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Snapshot: Italian Music in Livingston Country, New York |
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864 | (2) |
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Scandinavian and Baltic Music |
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866 | (16) |
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Snapshot: Danish Musical Traditions in Yates Country, New York |
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882 | (2) |
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884 | (20) |
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Snapshot: German Seventh-Day Baptists |
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904 | (4) |
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908 | (11) |
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Southeastern European (Balkan) Music |
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919 | (14) |
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933 | (14) |
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947 | (1) |
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948 | (9) |
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957 | (10) |
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967 | (8) |
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975 | (5) |
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Indian and Pakistani Music |
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980 | (8) |
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Snapshot: The Tyagaraja Festival in Cleveland, Ohio |
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988 | (5) |
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993 | (5) |
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998 | (5) |
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1003 | (4) |
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Lao, Thai, and Cham Music |
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1007 | (4) |
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1011 | (13) |
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1024 | (4) |
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1028 | (14) |
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Snapshot: Sufi Music and Dance |
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1042 | (5) |
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1047 | (8) |
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Amy Ku'uleialoha Stillman |
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1055 | (228) |
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Identity, Diversity, and Interaction |
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1056 | (10) |
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Overview of Music in Canada |
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1066 | (35) |
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Snapshot: Four Views of Music in Canada |
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1101 | (12) |
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1101 | (4) |
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1105 | (3) |
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The Canadian Musical Heritage Society |
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1108 | (1) |
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Whose Music Is Canadian Country Music? |
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1109 | (4) |
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1113 | (1) |
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1114 | (9) |
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1123 | (4) |
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Snapshot: The Celtic Revival in Cape Breton |
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1127 | (5) |
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1132 | (3) |
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1135 | (3) |
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Snapshot: ``She's Gone, Boys'': Songs in Response to the Moratorium on Fishing in Newfoundland |
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1138 | (7) |
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1145 | (1) |
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1146 | (8) |
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Intercultural and Commerical Musics |
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1154 | (9) |
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1163 | (6) |
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1169 | (2) |
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Snapshot: Musical Life in Montreal's Judeo-Spanish Community |
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1171 | (6) |
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1177 | (1) |
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1178 | (10) |
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1188 | (4) |
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1192 | (3) |
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1195 | (6) |
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Latin Amerian and Caribbean Music |
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1201 | (6) |
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Snapshot: Two Views of Music in Toronto |
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1207 | (4) |
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1207 | (2) |
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The Toronto Women's Musical Club |
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1209 | (2) |
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1211 | (4) |
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1215 | (3) |
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1218 | (5) |
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1223 | (1) |
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1224 | (8) |
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Snapshot: Winnipeg Festivals |
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1232 | (5) |
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Music of Christian Minorities |
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1237 | (4) |
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1241 | (4) |
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Middle Eastern and Asian Music |
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1245 | (4) |
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Regula Burckhardt Qureshi |
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Northern and Central European Music |
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1249 | (4) |
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1253 | (1) |
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1254 | (6) |
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Cantonese Music in Vancouver |
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1260 | (7) |
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1267 | (6) |
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1273 | (1) |
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1274 | (5) |
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1279 | (4) |
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Glossary |
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1283 | (9) |
A Guide to Publications |
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1292 | (13) |
A Guide to Recordings |
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1305 | (4) |
A Guide to Films and Videos |
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1309 | (1) |
Notes on the Audio Examples |
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1310 | (3) |
Index |
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1313 | |