| Acknowledgements and Permissions |
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xiii | |
| Preface |
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xv | |
| Note on Style |
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xxvi | |
| Abbreviations of Ancient Works Cited |
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xxvii | |
| Abbreviations of Periodicals, Reference Works, and Series |
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xxxii | |
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xxxiv | |
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``Of All the Saints I Love Paul the Most'' |
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1 | (33) |
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2 | (3) |
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The Historical Significance of Chrysostom as an Interpreter of Paul |
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5 | (3) |
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8 | (10) |
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Methodological Presuppositions of this Study |
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18 | (4) |
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Approaching Chrysostom's Rhetorical Art |
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22 | (6) |
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Contemporary Resonances with Chrysostom's Interpretation of Paul |
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28 | (3) |
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Praise for Paul's Devoted Interpreter |
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31 | (3) |
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``The Archetypal Image'' (η αρχετυπoσ ειxων) |
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34 | (35) |
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The Hermeneutical Framework of the Portraits |
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34 | (9) |
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43 | (12) |
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43 | (4) |
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47 | (2) |
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49 | (6) |
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The Highest Artistic Standard: The Imperial Portrait (ειxων βασιλιxη) |
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55 | (9) |
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Conclusions on the Framework of the Portraits |
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64 | (2) |
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A Final Question: Why Paul? |
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66 | (3) |
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``The Warm Lover of Christ'' -- Pauline Miniatures |
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69 | (25) |
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Epithets As Portraits in Miniature |
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70 | (3) |
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Chrysostom's Gallery of Miniature Portraits of Paul |
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73 | (15) |
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75 | (2) |
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77 | (1) |
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78 | (2) |
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A Miniature Magnified: Paul as the Sun |
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80 | (2) |
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82 | (1) |
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82 | (2) |
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Traditional Titles and Roles |
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84 | (3) |
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87 | (1) |
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Literary Analysis of Epithets |
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88 | (3) |
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91 | (3) |
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``The Imperial Portrait (ειxων βασιλιxη)'' Unveiled: Portraits of Paul's Body |
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94 | (41) |
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Full-Scale Portraits of Paul -- Three Types |
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94 | (1) |
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95 | (9) |
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Epideictic Rhetoric (the Encomium) |
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95 | (6) |
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101 | (3) |
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Hom. in 1 Cor. 13 -- Paul as the Perfect Portrait of Christ |
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104 | (17) |
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Introduction of Theme: Imitation as Artistic Practice |
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104 | (1) |
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The Portrait of Paul -- Material |
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105 | (2) |
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The ``Moving Picture'' of Paul's Body |
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107 | (3) |
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The Somatic Portrait Displayed |
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110 | (3) |
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113 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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115 | (1) |
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116 | (1) |
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The Clothes that Adorn the Body |
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116 | (1) |
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Crescendo to the Encomiastic Reversal |
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116 | (2) |
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Conclusion: Ekphrasis and the Homiletical Art |
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118 | (3) |
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Hom. in Rom. 32 -- Paul's Body Rejuvenated From the Dust |
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121 | (11) |
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124 | (2) |
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126 | (2) |
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128 | (1) |
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129 | (1) |
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129 | (1) |
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129 | (1) |
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Rome's Ferocious Guardian |
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130 | (2) |
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132 | (3) |
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``The Meadow of Virtues'' (λειμων αρετων): Portraits of Paul's Soul |
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135 | (65) |
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135 | (2) |
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137 | (35) |
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Laud. Paul. 1: Paul as the Brightest in the Biblical Portrait Gallery |
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140 | (12) |
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Laud. Paul. 2: Paul as Proof of Humanity's Capacity for Virtue |
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152 | (7) |
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Laud. Paul. 3: Paul as the Embodiment of Love |
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159 | (5) |
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164 | (2) |
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Laud. Paul. 6: Defacing and Replacing False Portraits |
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166 | (6) |
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Holistic Depictions Through Portraits of Pauline ``Accessories'' |
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172 | (23) |
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173 | (3) |
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176 | (10) |
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186 | (5) |
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191 | (2) |
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193 | (1) |
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194 | (1) |
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Full-Scale Portraits of Paul: Conclusions |
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195 | (5) |
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``Obviously By Some Divine and Ineffable Power'': Biographical Portraits of Paul |
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200 | (181) |
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``External Circumstances'' (τα εξωθεν) |
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200 | (6) |
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Large-Scale Portraits of Paul's Life Circumstances |
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206 | (20) |
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Hom. in 2 Tim. 4.3--4: Συγxρισισ of Paul and Nero |
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206 | (6) |
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Laud. Paul. 4: Paul's Power and Divine Providence |
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212 | (14) |
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Partial Portraits of Paul's ``External Circumstances'' |
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226 | (127) |
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228 | (1) |
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228 | (6) |
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234 | (2) |
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236 | (1) |
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236 | (4) |
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240 | (1) |
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επιτηδευματα and τεχνη (Vocation and Trade) |
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240 | (1) |
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241 | (5) |
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o σxηνoτoιoσ (The Tentmaker) |
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246 | (2) |
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248 | (1) |
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249 | (1) |
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250 | (1) |
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Persecution of Christians |
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250 | (7) |
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257 | (2) |
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259 | (2) |
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The πραξεισ of Paul's Christian Life |
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261 | (1) |
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Laud. Paul. 7: The Deeds of Christ's Copyist |
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261 | (9) |
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The Summary Deed: Victory over the Entire World |
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270 | (8) |
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278 | (4) |
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282 | (9) |
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Many and Various Activities of the Spirit (Πoλλαι xαι πoιxιλαι ενεργεια&iota τo&u πνεuματoσ) |
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291 | (1) |
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291 | (4) |
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295 | (6) |
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301 | (1) |
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302 | (6) |
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308 | (18) |
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Πραξεισ εναντιαι (Contradictory Deeds)? |
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326 | (1) |
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327 | (3) |
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Laud. Paul. 5: Praise for Paul as ``A Variable and Many-sorted Man'' |
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330 | (23) |
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353 | (21) |
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354 | (1) |
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355 | (1) |
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356 | (1) |
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357 | (4) |
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εuτεxνια (Children) and γαμoσ (Marriage) |
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361 | (2) |
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363 | (11) |
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A Final Portrait: Paul as Assailant of ``External Circumstances'' |
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374 | (3) |
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Conclusions on the Biographical Portraits |
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377 | (4) |
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``The Soul Which Reached as Far as Heaven'': Historiographical Issues in Chrysostom's Pauline Interpretation |
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381 | (28) |
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Recapitulation of Chrysostom's Pauline Portraiture |
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381 | (3) |
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Pauline Portraiture and Patristic Exegesis |
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384 | (5) |
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The ``Historical Paul'' and Chrysostom's Hermeneutics |
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389 | (5) |
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394 | (2) |
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396 | (5) |
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The Social Functions of Chrysostom's Rhetorical Art |
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401 | (3) |
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Oral and Written Forms of the Biographic |
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404 | (4) |
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Conclusion: Hung upon the Ring of Paul |
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408 | (1) |
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``Partners in This Love Charm'': The Art of Pauline Interpretation |
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409 | (31) |
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409 | (2) |
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Pauline Portraiture in Late Antiquity: Augustine and Chrysostom |
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411 | (12) |
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Pauline Portraiture in the Late Twentieth Century |
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423 | (5) |
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Chrysostom and the Task of Pauline Interpretation |
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428 | (5) |
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The Death and Resurrection of the Author |
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433 | (3) |
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436 | (4) |
| Appendix 1: English Translation of de laudibus sancti Pauli 1--7 |
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440 | (48) |
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A Prefatory Note to the Translation |
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440 | (2) |
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442 | (6) |
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448 | (5) |
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453 | (5) |
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458 | (10) |
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468 | (7) |
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475 | (7) |
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482 | (6) |
| Appendix 2: Artistic Images of John Chrysostom and Paul |
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488 | (13) |
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The Inspired Author Portrait |
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489 | (4) |
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John Chrysostom, the Source of Wisdom |
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493 | (3) |
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Other Intimate Portraits of the Pair |
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496 | (3) |
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Literary Sources Pertaining to the Iconography of Chrysostom and Paul |
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499 | (2) |
| Plates |
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501 | (8) |
| Bibliography |
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509 | (20) |
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509 | (1) |
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Ancient Sources: Texts, Editions, Translations |
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510 | (3) |
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Secondary Literature Cited |
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513 | (16) |
| Indices |
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529 | (35) |
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529 | (30) |
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529 | (1) |
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530 | (7) |
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Early Christian Literature |
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537 | (16) |
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Other Greek and Latin Texts |
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553 | (6) |
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559 | (5) |
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564 | |
Other versions by this Author