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xi | |
Series Editor's Preface |
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xii | |
Acknowledgements |
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xiii | |
Introduction |
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1 | (6) |
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7 | (4) |
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10 | (1) |
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11 | (6) |
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17 | (20) |
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17 | (1) |
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An Enquiry into the Probability and Rationality of Mr. Hunter's Theory of Life: Being the Subject of the First Two Anatomical Lectures Delivered before the Royal College of Surgeons, of London (1814) |
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17 | (3) |
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An Introduction to Comparative Anatomy and Physiology; Being the Two Introductory Lectures Delivered at the Royal College of Surgeons, on the 21st and 25th of March, 1816 (1816) |
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20 | (3) |
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23 | (1) |
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The Last Man. By the Author of Frankenstein (1826) |
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24 | (2) |
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Mary Wollstonecraft Shelley |
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The Journals of Mary Shelley (1814--44) |
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26 | (2) |
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Mary Wollstonecraft Shelley |
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The Letters of Mary Wollstonecraft Shelley |
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28 | (2) |
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Mary Wollstonecraft Shelley |
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Letters Written in Geneva (1817) |
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30 | (2) |
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32 | (5) |
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Presumption, Science and Religion: Early Receptions of Frankenstein |
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37 | (8) |
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37 | (1) |
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37 | (1) |
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Anon., `The Belle Assemblee, or Bell's Court and Fashionable Magazine' (March 1818) |
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37 | (1) |
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Anon., Review of Presumption; or The Fate of Frankenstein (Richard Brinsley Peake's adaptation), the London Morning Post (1823) |
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38 | (2) |
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Blackwood's Edinburgh Magazine (1818) |
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40 | (2) |
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`On ``Frankenstein; or, the Modern Prometheus''' (1818) |
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42 | (2) |
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44 | (1) |
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Why Did You Make Me Like This?! Performing Frankenstein |
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45 | (35) |
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45 | (2) |
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47 | (1) |
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Presumption: Or the Fate of Frankenstein |
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48 | (7) |
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`This New Promethean Fire: Radioactive Monsters and Sustainable Nuclear Futures' |
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55 | (3) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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59 | (1) |
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59 | (5) |
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64 | (1) |
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Early films: genesis of a genre |
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64 | (2) |
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Revisions and multiple-monster films |
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66 | (5) |
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71 | (1) |
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71 | (2) |
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Films exploring sexuality |
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73 | (1) |
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Cybernetics, doppelgangers, genetic engineering and replicants |
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74 | (2) |
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76 | (1) |
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Biographical and historical films |
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76 | (1) |
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77 | (1) |
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78 | (1) |
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79 | (1) |
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Multimedia and interactive |
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79 | (1) |
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79 | (1) |
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80 | (49) |
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80 | (2) |
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The Body, Medicine and Science |
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82 | (1) |
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`The Shelleys and Radical Science' (1994) |
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82 | (3) |
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Murdering to Dissect: Graverobbing, Frankenstein, and the Anatomy Literature (1995) |
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85 | (4) |
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`The Monstrous Body of Knowledge in Mary Shelley's Frankenstein' (1995) |
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89 | (1) |
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`Frankenstein: The Mother, the Daughter, and the Monster' (1991) |
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89 | (1) |
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Commodity Culture and Social Structure |
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90 | (1) |
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`Production Replaces Creation: Market Forces and Frankenstein as Critique of Romanticism' (1988) |
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90 | (1) |
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Signs Taken for Wonders: Essays in the Sociology of Literary Forms (1983) |
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90 | (2) |
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Literature, Education, and Romanticism: Reading as Social Practice, 1780--1832 (1994) |
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92 | (4) |
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Gender and Queer Theories |
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96 | (1) |
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`In the Romantic Tradition: Frankenstein and The Rocky Horror Picture Show' (1987) |
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96 | (3) |
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`Is There a Woman in This Text?' (1982) |
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99 | (3) |
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`Mary Shelley, Frankenstein, and the Spectacle of Masculinity' (1993) |
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102 | (1) |
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Between Men: English Literature and Homosocial Desire (1985) |
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103 | (1) |
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Genre, Literary Form and Literary History |
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104 | (1) |
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`Parenting Frankenstein' (1996) |
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104 | (1) |
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The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley (1988) |
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105 | (1) |
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`Frankenstein's Ghost Story: The Last Jacobin Novel' (1986) |
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105 | (3) |
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108 | (1) |
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`Godlike Science/Unhallowed Arts: Language and Monstrosity in Frankenstein' (1978) |
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108 | (1) |
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`Periphrastic Naming in Mary Shelley's Frankenstein' (1995) |
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108 | (1) |
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`My Monster/My Self' (1987) |
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109 | (3) |
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`Filthy Types: Frankenstein, Figuration, Femininity' (1996) |
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112 | (1) |
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Race, Colonialism and Orientalism |
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112 | (1) |
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`Standards of Taste, Discourses of ``Race'', and the Aesthetic Education of a Monster: Critique of Empire in Frankenstein' (1994) |
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112 | (1) |
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`Frankenstein's Monster and Images of Race in Nineteenth-Century Britain' (1993) |
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113 | (3) |
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Shelley and the Revolution in Taste: the Body and the Natural World (1994) |
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116 | (5) |
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A Critique of Postcolonial Reason: Towards a Theory of the Vanishing Present (1999) |
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121 | (6) |
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Gayatri Chakravorty Spivak |
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127 | (2) |
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Key Passages of Frankenstein |
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129 | (54) |
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177 | (1) |
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177 | (6) |
Directory of Figures |
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183 | (8) |
Index |
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191 | |