Nothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world  and beyond, Darwish’s poetry walks the razor’s edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace.

Najwan Darwish, one of the foremost Arabic-language poets of his generation, was born in Jerusalem in 1978, exactly thirty years after his family was exiled from their home in the western part of the city. Shortly after studying in Amman, Jordan, and becoming a lawyer, Darwish decided to give up law and devote himself more fully to literature. He has worked as the editor of two cultural magazines in Palestine and was a cultural critic for the prominent Lebanese newspaper Al-Akhbar from 2006 to 2012. Darwish has been an organizer and advisor for many public arts projects, among them the Palestine Festival of Literature. In 2009, he founded a literary press in Jerusalem, and he is currently involved in establishing a new pan-Arab newspaper, where he will be the chief editor of the arts and culture section. Darwish’s poetry is informed by Arabic and Western poetic traditions, both classical and modern, as well as by Persian Sufi poetry. Since the publication of his first collection in 2000, his poetry has been acclaimed across the Arab world and has been translated into fifteen languages. In 2009 he was on the Hay Festival Beirut’s list of the “best 39 Arab authors under the age of 39.” He currently resides in Jerusalem.

Kareem James Abu-Zeid was born in 1981. Half American and half Egyptian, he has translated novels by the Lebanese writer Rabee Jaber and the Sudanese writer Tarek Eltayeb, as well the poetry collection The Iraqi Nights by Dunya Mikhail. Abu-Zeid also translates from French and German, and has taught university courses in four different languages in Berkeley, Mannheim, and Heidelberg. He works as a freelance translator and editor, and is currently writing a history of psychedelic literature that is doubling as his PhD dissertation in comparative literature at the University of California Berkeley.