The Oxford History of the Novel in English Volume 3: The Nineteenth-Century Novel 1820-1880

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Format: Hardcover
Pub. Date: 2012-01-13
Publisher(s): Oxford University Press
List Price: $207.99

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Summary

The Oxford History of the Novel in Englishis a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. Volume 3,The Nineteenth-Century Novel 1820-1800charts one of the most significant and exciting periods in the history of the genre. Beginning with the decade in which Scott's work helped inaugurate the three-volume novel, and in which many narrative genres, conventions, and preoccupations associated with Victorian fiction first emerged, it traces how these forms developed and changed in the mid nineteenth century, as the novel became established at the centre of British national culture. The volume includes sections on book history, on major authors, and on the varieties of fiction and range of narrative modes during the period. It also features essays on theories of the novel, and on the novel's relationship to other aesthetic forms. Volume 3 also emphasizes the wider cultural role and significance of the novel during the period, including its impact on ideas of place and nation, as well as its intervention in political, scientific, and intellectual contexts.

Author Biography


John Kucich is a Professor of English at Rutgers, the State University of New Jersey. He has written numerous books and essays on nineteenth-century literature and culture. His publications include Excess and Restraint in the Novels of Charles Dickens (Georgia, 1981), Repression in Victorian Fiction: Charlotte Bronte, George Eliot, and Charles Dickens (California, 1987), The Power of Lies: Transgression in Victorian Fiction (Cornell, 1994), and Imperial Masochism: British Fiction, Fantasy, and Social Class (Princeton, 2007). He has also edited, with Dianne F. Sadoff, Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century (Minnesota, 2000).

Jenny Bourne Taylor is a Professor of English at the University of Sussex. She has written widely on nineteenth-century literature and culture. Her publication include (with Sally Shuttleworth) Embodied Selves: An Anthology of Psychological Texts (Clarendon, 1998), and ed., with Margot Finn and Michael Lobban Legitimacy and Illegitimacy in Law, Literature and History (Palgrave, 2010).

Table of Contents

Acknowledgementsp. ix
List of Contributorsp. xi
List of Illustrationsp. xiii
List of Tablesp. xiv
General Editor's Prefacep. xv
Introductionp. xvii
Editorial Notep. xxxi
Note on British Currency before Decimalizationp. xxxii
Novelists, Readers, and the Fiction Industry
The Publishing Industryp. 3
Readers and Reading Practicesp. 22
The Professionalization of Authorshipp. 37
Varieties and Genres
The Historical Novelp. 59
Gothic Fictions in the Nineteenth Centuryp. 76
The English Bildungsromanp. 90
The Silver Fork Novelp. 106
The Newgate Novelp. 122
The Sensation Novelp. 137
Children's Fictionp. 154
The Domestic Novelp. 169
Major Authors in Context
Charles Dickens: The Novelist as Public Figurep. 187
The Brontës and the Transformations of Romanticismp. 203
George Eliot and Intellectual Culturep. 220
Narrative Structures and Strategies
Short Fiction and the Novelp. 239
Multiple Narrators and Multiple Plotsp. 256
Addressing the Reader: The Autobiographical Voicep. 274
Realism and Theories of the Novelp. 289
Theatricality and the Novelp. 306
Aesthetic Theoriesp. 322
The Nation and its Boundaries
Modernization and the Organic Societyp. 343
Place, Region, and Migrationp. 361
The Novel and Empirep. 377
Nationalism and National Identitiesp. 392
International Influencesp. 409
Contemporary Contexts
Radicalism and Reformp. 427
Parliament and the Statep. 444
Science and the Novelp. 461
Religion and the Novelp. 476
Psychology and the Idea of Characterp. 492
Gender Identities and Relationshipsp. 509
Composite Bibliographyp. 525
Index of British Novelists, 1820-1880p. 533
General Indexp. 541
Table of Contents provided by Ingram. All Rights Reserved.

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