Photographer's Guide to Marketing and Self-Promotion

by
Edition: 4th
Format: Trade Paper
Pub. Date: 2010-06-17
Publisher(s): PERSEUS
List Price: $24.95

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Summary

Veteran photographer's rep Maria Piscopo turns theory into practical, easy-to-understand advice about building a marketing plan that incorporates self-promotion, advertising, direct marketing, public relations, and the Internet. This fourth edition has been updated to included tips on using social media and e-mail, advice on creating an effective Web site, and twenty-two in-depth interviews with top photographers. Readers will learn how to:

Author Biography

Maria Piscopo has been a photographer's representative for more than twenty years. She has consulted, lectured, and written extensively about the business of selling photography. She works with artists, designers, and photographers, speaks at industry conferences, conducts professional seminars and conference workshops, and teaches courses at various colleges, including the Art Center College of Design in Pasadena, Orange Coast College, and Laguna College of Art and Design. The author of The Graphic Designer's and Illustrator's Guide to Marketing and Self-Promotion, she has had articles published in many industry magazines, such as HOW, Digital Output, Petersen's PHOTOgraphic, Rangefinder, Step-By-Step, Shutterbug, and Communication Arts. She lives in Costa Mesa, California.

Table of Contents

Acknowledgmentsp. xi
The Business Side of Self-Promotionp. 3
Tools for Personal Productivityp. 3
What Your Photography Clients Really Wantp. 8
Getting Started in Businessp. 13
Financial Factorsp. 13
Legal Factorsp. 16
Identify Your Marketing Messagep. 18
Sample Business Plan Outlinep. 20
Case Study: Ira M. Gostin, Marketing Strategistp. 21
The Ethics of Good Businessp. 23
Ethics Are Not Always Big Decisionsp. 23
Ethical Issues with Clientsp. 24
Photo Representatives, Other Agents, Hiring and Working with a Marketing Coordinatorp. 31
Art/Photo Representativesp. 31
Other Types of Repsp. 32
How Do You Know if You Are Ready for a Rep?p. 32
How Do You Find a Rep?p. 33
Case Study: Rhoni Epstein, Rhoni Epstein Photo Groupp. 35
Hiring and Working with Marketing Coordinatorsp. 36
Types of Clientsp. 43
Digital Photographyp. 43
Consumer Clientsp. 44
Commercial Clientsp. 45
Marketing to Commercial Clientsp. 49
Once You Have Your Marketing Messagep. 49
Use All the Toolsp. 50
Case Study: Working with Commercial Clientsp. 51
Marketing to Consumer Clientsp. 57
The Balance of Personal and Non-Personalp. 57
Planning Your Budgetp. 58
The Never Ending Cyclep. 60
Case Study: Andy Marcus, Fred Marcus Photographyp. 60
Marketing on the Internetp. 63
Where to Place Your Web Sitep. 63
Better Working Web Sitep. 65
Add Useful Informationp. 66
Driving Traffic to Your Web Sitep. 67
Search Engine Optimizationp. 68
Social Media and the Ubiquitous Blogp. 69
Case Study: Marketing with Your Web Sitep. 69
Researching New Clientsp. 75
Primary Market Researchp. 75
Buying Databases and Lists Information for Leadsp. 78
Secondary Market Researchp. 79
Computers for Your Business Management and Marketingp. 83
Get Professional Helpp. 83
Better Management of Your Businessp. 84
Publishing Promo Piecesp. 87
Bookkeeping and Accountingp. 87
One That Does It Allp. 88
Backup and Anti-Virusp. 89
Steps to Sellingp. 91
Finding the Will to Be Persistentp. 91
The Rule of 3p. 92
Making Better Submissionsp. 92
Scripting for Conversation Etiquettep. 92
The Motivation to Make the Callp. 93
Handling Objectionsp. 94
Get the Name of the Person in Chargep. 94
Get an Appointmentp. 95
Get Informationp. 95
Present Yourself to Build Follow-upp. 96
Dealing with Voicemailp. 98
Packaging Your Cost Proposalsp. 101
The Big Questionp. 101
PLUS Size Resourcesp. 102
The Project Descriptionp. 102
Take Some Timep. 104
Considerations to Negotiatep. 104
Talking About Pricep. 105
The Written Proposal-Package Your Pricep. 106
Case Study: Meeting Your Needs and the Client's Needs, Andy Batt and Therese Gietler of andyBATTstudio, LLCp. 110
Keep Clients Coming Backp. 113
Demonstrate Technical Abilityp. 113
If You Do Not Have Experiencep. 114
Show Your Creativityp. 114
Offer More Servicesp. 115
Be a Professionalp. 115
Meet the Client's Real Needsp. 115
Make Them Feel Safep. 116
Handle Conflict Betterp. 116
What to Do Next?p. 117
Case Study: Keep Clients Coming Backp. 117
Advertising as a Marketing Toolp. 123
Submitting Free Listingsp. 123
Buying Display Advertising Spacep. 124
Planning Display Advertisingp. 125
Sometimes There Is a Gapp. 132
Direct Mail Marketingp. 133
The Gap Is Backp. 135
Frequency and Re-Usep. 135
Set Specific Goalsp. 135
Plan and Testp. 136
Design Criteria for Direct Mailp. 137
Image Selection for Direct Mailp. 141
Case Study: Direct Mail Marketing, Fred Hernandez at Modern Postcardp. 143
E-mail Marketingp. 147
Do and Don't E-mail Design Issuesp. 148
Avoid Sending Spamp. 152
E-mail Service Providersp. 156
Case Study: E-mail Marketing with Meg Baisden, Meg Baisden Photography and Suzanne Norman at Emma“p. 157
Portfolios That Sell Your Workp. 161
Portfolio Planningp. 162
Creating Portfolio Imagesp. 164
Case Study: Portfolios That Sell, Louisa J. Curtis, Chatterbox Enterprisesp. 165
Promotion Piecesp. 167
Primary Promotionp. 167
Secondary Promotionp. 171
Case Study: Producing Promo Piecesp. 175
Public Relationsp. 179
Planning and Writing Press Releasesp. 180
Entering and Winning Awardsp. 187
Events and Programsp. 187
Photo Workshopsp. 188
Case Study: Benefits of Public Relations, Erika Taylor Montgomery, Three Girls Media, Buzzle Talk TV & Radio, and Girl Talk TVp. 188
Case Study: Working with a Public Relations Firm, Trishann Couvillion, Fire Eyes Photographyp. 191
Marketing by Associationp. 193
Client Associationsp. 194
Community Associationsp. 195
Peer Associationsp. 196
Case Study: Photographers Making a Differencep. 197
Writing the Commercial Client Marketing Planp. 203
Case Study: Event Photography for Commercial Clientsp. 207
Case Study: Finding Commercial Clients Right for Youp. 209
Case Study: The Future of Marketing Commercial Photographyp. 212
Writing the Consumer Client Marketing Planp. 215
Case Study: Consumer Event Photographyp. 215
Case Study: Success in the Portrait Marketp. 219
Case Study: Growing Your Wedding Businessp. 220
Selling Your Personal Workp. 223
But Is It Art?p. 224
Are You Ready for the Fine Art Market?p. 224
The Changing Fine Art Marketp. 224
The Futurep. 225
Case Study: Selling Your Personal Work, David Davis, Facerock Productions, LLCp. 225
Case Study: Selling Your Personal Workp. 227
Indexp. 231
Table of Contents provided by Ingram. All Rights Reserved.

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