
Play Directing: Analysis, Communication, and Style
by Hodge, Francis; McLain, MichaelBuy New
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Summary
Table of Contents
Dedication | |
Preface and Credits for Photographs | |
Why the Director? | |
What Is a Play? Analysis and Improvisation | |
Play-Analysis: Taking A Play Apart | |
The Foundation and Facade of the Playscript: Given Circumstances and Dialogue | |
The Core of the Playscript: Dramatic Action and Characters | |
Idea and Rhythm-Mood Beats | |
The Director's Preparation | |
Communication 1: The Director-Actor Relationship And Stage Blocking | |
Directing Is Working with Actors 1 | |
Learning to See: The Games of Visual Perception | |
Helping Actors Communicate through Groundplans | |
Composition: Helping Actors Discover and Project Basic Relationships | |
Helping Each Actor Intensify: Gesture and Improvisation with Properties | |
Picturization: Helping a Group Intensify | |
The Dynamic Tool of Movement | |
Coordinating the Blocking Tools in Director-Actor Communication | |
Helping Actors ldquo;Speakrdquo; a Play | |
Directing is Working with Actors 2 | |
Major Project 1A: Scene Practice | |
Major Project 1B: Diagnostic Criticism | |
Communication Through Staging Options | |
The Directorrsquo;s Responsibility for Working Effectively with Design | |
The Director and the Stage Machine: Symbolization and Synthesis | |
Director's Options: Choice of the Stage | |
Director's Options: Scenery, Properties, and Lighting | |
Director's Options: Costume, Makeup, and Sound | |
Helping Audiences Receive A Play | |
Responsibility to Audiences | |
Major Project 2: Designing and Directing Your Own One-Act Play Production | |
Interpretation: A Matter Of Style | |
Style Is Individual Expression | |
Style in Playwriting and Playwrights | |
The Director's Analysis of Style in a Playscript | |
Table of Contents provided by Publisher. All Rights Reserved. |
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