Decipherment of Maya hieroglyphic writing has reached the point that most Maya textswhether inscribed on the monuments, written in the codices, or painted or incised on ceramicscan now be read with some confidence. The "breaking of the Maya code" has completely changed our knowledge of this ancient civilization, and has given the Maya people a long and vivid history lacking in other areas of the pre-Columbian New World. In the recent past, a working knowledge of this script has been confined to epigraphers, art historians, and other specialists. Its very unfamiliarity to the general public, and the daunting aspect of its approximately 800 signs, have made the system appear more complex and arcane than it really is. Reading the Maya Glyphs is a compact, portable guide that enables students, tourists, and armchair travelers to read and understand commonly encountered Classic Maya texts. Illustrated by the drawings of Mark Van Stone, one of America's most gifted calligraphers, it presupposes no previous training in Maya epigraphy or archaeology. In the hands of visitors to the great Maya sites of Mexico and Central America, or consulted by museum-goers, this guide will enhance appreciation of some of the world's greatest art and architecture. Topics covered include the nature of the language and the writing system, the intricate Maya calendar, dynastic and political texts, and the Maya natural and supernatural world. Informed by the latest research on the script, Reading the Maya Glyphs is a window on the vanished world of the ancient Maya rulers and their people. Illustrated in 2 colors throughout.

Michael D. Coe is Professor Emeritus of Anthropology and Curator Emeritus in the Peabody Museum of Natural History at Yale University. In 1986 he was elected to the National Academy of Sciences, and in 1989 received the Tatiana Proskouriakoff Award from Harvard University for distinction in Mesoamerican research Mark Van Stone trained as a type designer, stone carver, and art historian. For over two decades he has studied the development of written forms from the perspective of a working calligrapher. Now completing his doctoral dissertation on Maya scribal workshop practice, he is the leading interpreter of Maya calligraphic art