Preface |
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xi | |
Acknowledgments |
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xv | |
Introduction |
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xvii | |
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SECTION I---The Interior Exile (``insilio'') |
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1 | (50) |
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3 | (1) |
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4 | (9) |
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Manena's Cuban American Recipes |
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13 | (1) |
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13 | (7) |
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The ``Sandwich'' Generation |
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20 | (6) |
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26 | (8) |
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34 | (9) |
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43 | (4) |
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47 | (1) |
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48 | (3) |
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SECTION II---``Merely a Player'' |
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51 | (32) |
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Los que se alejan siempre son los ninos |
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53 | (1) |
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54 | (4) |
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Portrait of Wendy, At Fifty, With Bra |
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58 | (6) |
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64 | (2) |
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Once upon a Time in May of 1961... |
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66 | (1) |
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Crossing into the Mainstream |
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67 | (2) |
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69 | (9) |
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78 | (5) |
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SECTION III---Crossing the Generational Divide |
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83 | (50) |
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An Afternoon with Ernesto F. Betancourt |
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85 | (7) |
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Growing Up Cuban American |
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92 | (6) |
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98 | (2) |
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Lost Memories and Nostalgic Obsessions |
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100 | (7) |
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107 | (5) |
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112 | (4) |
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116 | (5) |
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Alicia Serrano Machiran Granto |
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121 | (3) |
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124 | (4) |
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Tia Ada's Arroz con leche |
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128 | (1) |
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128 | (5) |
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SECTION IV---Snapshots |
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133 | (38) |
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135 | (2) |
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137 | (6) |
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143 | (3) |
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Song for the Royal Plams of Miami |
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146 | (2) |
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148 | (3) |
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First Shift at Hershey's, 4 A.M. |
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149 | (2) |
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151 | (1) |
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152 | (1) |
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A Journal from the Bay of Mariel |
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153 | (12) |
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165 | (6) |
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SECTION V---The Culture Wars |
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171 | (36) |
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The Facts of Life on the Hyphen |
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173 | (4) |
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Against the Grain: Writing Spanish in the USA |
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177 | (4) |
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From ``The Necessary Treasons'' |
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179 | (2) |
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181 | (6) |
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187 | (5) |
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192 | (1) |
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Carolina Hospital---What Kind of Cuban Are You? |
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193 | (2) |
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195 | (1) |
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Flags and Rags (On Golden Lake) |
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196 | (6) |
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Kenya Carmen Dworkin y Mendez---Next Stop Ninety Miles |
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202 | (5) |
SECTION VI---``The Bite of Exile'' |
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207 | (36) |
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209 | (2) |
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210 | (1) |
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211 | (3) |
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214 | (9) |
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223 | (2) |
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225 | (1) |
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Living on Borrowed Ground |
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225 | (1) |
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226 | (2) |
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228 | (2) |
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230 | (2) |
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231 | (1) |
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232 | (1) |
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Where Are You From? A Cuban Dilemma |
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233 | (3) |
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235 | (1) |
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Even Names Have Their Exile |
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236 | (7) |
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238 | (5) |
SECTION VII---``Grace under Pressure'' |
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243 | (34) |
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245 | (3) |
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to---Exile: Reality or Imagination |
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248 | (1) |
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249 | (3) |
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252 | (5) |
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253 | (2) |
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From ``La magia musical de Cachao'' |
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255 | (2) |
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257 | (1) |
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258 | (1) |
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259 | (1) |
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From Outside Cuba/Fuera de Cuba |
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260 | (1) |
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nas---Historia rota (Broken History) |
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260 | (2) |
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Orlando Rodriguez Sardinas (Rossardi)---Exilio |
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262 | (3) |
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265 | (2) |
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267 | (2) |
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Autobiography, Historiography, and Mythography in Matias Montes Huidobro's Desterrados al fuego |
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269 | (8) |
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SECTION VIII---``Inheriting Exile'' |
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277 | (44) |
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On Being an American-Born Cuban from Miami |
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279 | (5) |
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From ``Stories My Mother Never Told Me'' |
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284 | (5) |
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Maria de los Angeles Lemus |
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ABCS in South Florida Suburbia |
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289 | (10) |
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299 | (7) |
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306 | (3) |
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309 | (3) |
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Cecilia Rodriguez Milanes |
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312 | (1) |
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313 | (4) |
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Una cubanita pasada por agua |
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317 | (3) |
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Cata's ``pie'' de guayaba |
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320 | (1) |
Select Bibliography |
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321 | |