
Re-Reading Perspecta The First Fifty Years of the Yale Architectural Journal
by Stern, Robert A. M.; Picard, Caroline; Plattus, AlanBuy New
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Summary
Author Biography
Peggy Deamer is Associate Dean and Associate Professor at the Yale School of Architecture.
Alan Plattus, former Associate Dean and Professor at the Yale School of Architecture, is Director and Cofounder of the Yale Urban Design Workshop.
Table of Contents
Training for the practice of architecture | p. 5 |
The evolution of Wright, Mies & Le Corbusier | p. 11 |
3 new directions : Paul Rudolph, Philip Johnson, Buckminster Fuller | p. 16 |
Monumental architecture : or the art of pleasing in civic design | p. 23 |
Some experiences and observations of an elderly architect | p. 31 |
Towards a plan for midtown Philadelphia | p. 33 |
The cardboard house | p. 38 |
On the responsibility of the architect : roundtable discussions with Philip Johnson, Pietro Belluschi, Louis Kahn, Paul Weiss and Vincent Scully | p. 42 |
Environment and anonymous architecture | p. 55 |
The seven crutches of modern architecture | p. 58 |
Order and form : Yale Art Gallery + Design Center, designed by Louis Kahn | p. 61 |
Order is | p. 64 |
Architecture is the thoughtful making of spaces | p. 68 |
Modern architecture : toward a redefinition of style | p. 70 |
Regionalism in architecture | p. 77 |
Order in architecture | p. 81 |
A letter | p. 87 |
Hadrian's villa | p. 93 |
The work of Charles Edouard Jeanneret | p. 100 |
"The functional tradition" and expression | p. 102 |
An interview | p. 109 |
Act and behavior in architecture | p. 114 |
For Perspecta | p. 119 |
The future of the past | p. 120 |
Open and closed | p. 127 |
Transparency : literal and phenomenal | p. 135 |
Antonio Gaudi : structure and form | p. 143 |
The death of the street | p. 151 |
The forces that shaped Park Avenue | p. 154 |
Complexity and contradiction in architecture | p. 160 |
You have to pay for the public life | p. 173 |
Whence & whither : the processional element in architecture | p. 184 |
Replication replicated, or notes on American bastardy | p. 187 |
Doldrums in the suburbs | p. 199 |
Now and then | p. 241 |
Plug it in, Rameses, and see if it lights up | p. 242 |
Conversation on urbanism | p. 246 |
Democratic planning | p. 249 |
Mass communication on the people freeway | p. 255 |
Typology and design method | p. 263 |
Maison de Verre | p. 269 |
Lutyens' architecture restudied | p. 276 |
From object to relationship II : Giuseppe Terragni Casa Giuliani Frigerio | p. 299 |
Eileen Gray : two houses and an interior, 1925-1933 | p. 311 |
Some houses of ill-repute | p. 314 |
Transparency : literal and phenomenal : part 2 | p. 316 |
Southerness | p. 329 |
Arts and architecture case study houses | p. 333 |
Julia Morgan : some introductory notes | p. 342 |
The monumental tradition | p. 351 |
Recycling New York | p. 358 |
The crisis of the object : the predicament of texture | p. 371 |
The dream of the complete building | p. 389 |
An architecture of participation | p. 396 |
The architecture of James Gamble Rogers at Yale University | p. 405 |
Notes on design | p. 410 |
Skyscrapers | p. 413 |
Negation and reconciliation | p. 427 |
Building and the terror of time | p. 428 |
Silent witnesses | p. 434 |
The shape of time reconsidered | p. 438 |
The persistence of formal patterns | p. 444 |
A conversation | p. 257 |
Notes from Sight Point Road | p. 461 |
Process and theme in the work of Carlo Scarpa | p. 467 |
Prospects for a critical regionalism | p. 477 |
Landscape and architecture work of Gunnar Asplund | p. 486 |
Critical architecture : between culture and form | p. 529 |
(Post)modern polemics | p. 536 |
The end of the classical : the end of the beginning, the end of the end | p. 541 |
Drawing a conclusion | p. 555 |
Excerpts from a conversation | p. 558 |
Mies van der Rohe : a moral modernism model | p. 561 |
On history and architecture : an interview | p. 573 |
Vertex and vortex : a tectonics of section | p. 584 |
Disjunctions | p. 591 |
The origins of modern eclecticism | p. 593 |
Postmortem architecture : the taste of Derrida | p. 601 |
Notes on a theory of making | p. 615 |
A conversation, "the idea of lasting" | p. 625 |
Wall : the time's building | p. 633 |
Projections | p. 693 |
Peter Behrens' highest Kultursymbol, the theater | p. 643 |
On art for the stage | p. 656 |
Order and disorder | p. 665 |
A life one century long | p. 667 |
A conversation with Giovanni Michelucci | p. 674 |
Doctrines and uncertainties | p. 683 |
For an open architecture | p. 688 |
On the work of Patkau Associates : tecto-totemic form | p. 692 |
On the work of Thomas Leeser : critique of the inverted house, a home for twin surgeons | p. 694 |
Future zones | p. 701 |
Nietzsche in New Haven | p. 705 |
Still learning from Las Vegas | p. 710 |
Which new urbainsm? : the Revanchist '90s | p. 720 |
Interchange and container : the new Orgman | p. 725 |
American modern : seven housing projects | p. 730 |
Practice and theory : Perspecta and the fate of the architectural discourse : a symposium honoring the fiftieth anniversary of Perspecta : the Yale Architectural Journal | |
Refelctions on Perspecta : the end of the beginning | p. 768 |
Reading perspecta 1 through 20 : the early years in context | p. 773 |
Perspecta 11-22 : searching for authenticity | p. 780 |
Perspecta since 1987 : the necessity of choice | p. 787 |
The founding of Perspecta | p. 796 |
Perspecta's graphic design and graphic design's perspective | p. 800 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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