
Women in American Theatre
by Chinoy, Helen Krich; Jenkins, Linda Walsh; Chinoy, Helen KrichRent Book
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Summary
Table of Contents
Interrogating the past, or women in theatre - then and now : a preface | |
Theatre, activism and personal change : a preface | |
Art versus business : the challenge of women in American theatre : an introduction | |
Female rites | p. 3 |
Sex roles and shamans | p. 5 |
Trampling out the vintage | p. 11 |
Friendship and ritual in the WTUL | p. 17 |
Rites and rights | p. 21 |
Crowning Miss California, again | p. 25 |
Take back the night | p. 32 |
Ritual and the national Black theatre | p. 34 |
The story of a mother, a ritual drama | p. 35 |
"Lesson I bleed" : Adrienne Kennedy's blood rites | p. 42 |
The actress | p. 49 |
Anne Brunton Merry : first star | p. 52 |
Enter the Harlot | p. 57 |
Women in male roles : Charlotte Cushman and others | p. 65 |
Adah Isaacs Menken in Mazeppa | p. 72 |
Lydia Thompson and the "British Blondes" | p. 78 |
Horrible prettiness : a cultural analysis of "British Blondes" | p. 80 |
Henrietta Vinton Davis : Shakespearean actress | p. 83 |
Mary Shaw : a fighting champion | p. 88 |
Aileen Stanley, her life and times | p. 97 |
Women mimes in America | p. 100 |
The art of Ruth Draper | p. 103 |
Uta Hagen and Eva Le Gallienne | p. 109 |
Alvina Krause on women in theatre | p. 113 |
Alvina Krause - a teacher of life | p. 114 |
Acting female | p. 115 |
Here are the women playwrights | p. 118 |
Mercy Warren : satirist of the revolution | p. 122 |
Looking to women : Rachel Crothers and the feminist heroine | p. 128 |
Apropos of women and the folk play | p. 135 |
Anne Nichols : $1,000,000.00 playwright | p. 142 |
Sophie Treadwell : agent for change | p. 147 |
Gertrude Stein : form and content | p. 152 |
The comic muse of Mary Chase | p. 155 |
Lillian Hellman talks about women : interviews | p. 162 |
Lorraine Hansberry : artist, activist, feminist | p. 168 |
Women alone, women together | p. 173 |
If not an actress, what? ... | p. 179 |
Women open Augusta's first theatre | p. 183 |
Art theatre in hull-house | p. 187 |
Women directors - the early years | p. 192 |
Hallie Flanagan : practical visionary | p. 194 |
Talent and the times | p. 199 |
Matriarchs of the regional theatre | p. 203 |
Peggy Clark Kelley : reminiscences of a "designing" woman | p. 209 |
The lady is a critic | p. 215 |
Casting by Juliet Taylor : an interview | p. 222 |
Images | p. 226 |
The second face of the idol : women in Melodrama | p. 228 |
Women in Pulitzer prize plays, 1918-1949 | p. 233 |
The women's world of Glaspell's trifles | p. 240 |
Black women in plays by black playwrights | p. 243 |
Who put the "tragic" in the tragic mulatto? | p. 249 |
Creative drama : sex-role stereotyping? | p. 254 |
Female protagonists in the plays of Suzan Zeder | p. 259 |
Feminist theatre | p. 265 |
Feminist theatre : a rhetorical phenomenon | p. 267 |
Caravan theatre | p. 275 |
Omaha magic theatre | p. 277 |
The Washington area feminist theatre | p. 279 |
Women's interart theatre | p. 282 |
New York feminist theatre troupe | p. 284 |
The lavender cellar theatre | p. 287 |
At the foot of the mountain | p. 290 |
Spiderwoman | p. 291 |
The women's experimental theatre | p. 293 |
Rebeccah : rehearsal notes | p. 296 |
Split britches | p. 298 |
Fefu and her friends | p. 302 |
A rainbow of voices | p. 304 |
Feminism and political theatre | p. 308 |
Process and problems | p. 313 |
Reflections | p. 317 |
Staging women's experience : feminist theatres in the USA | p. 322 |
Changes and legacies | p. 325 |
Feminist theatrical theories | p. 328 |
A feminist theory of theatre : introduction | p. 336 |
Semiotics and the gaze : toward a new poetics | p. 340 |
The discourse of feminisms : the spectator and representation | p. 343 |
Toward a gestic feminist criticism | p. 349 |
Feminism and psychoanalysis | p. 356 |
Women, woman and the subject of feminism : feminist directions | p. 357 |
"Not ... but"/"not-not-me" : musings on cross-gender performance | p. 361 |
Focus on the body : pain, praxis and pleasure in feminist performance | p. 363 |
Critique of postmodern theory, conclusion : 1990s and beyond | p. 364 |
About face : performing race in fashion and theatre | p. 367 |
Under the "trickster's" sign : toward a reading of Ntozake Shange | p. 369 |
Voices at the millennium | p. 375 |
The "colored girls phenomenon" | p. 378 |
Finding place and voice as a Chicana lesbian | p. 379 |
Fast-talking, quick-thinking black women | p. 380 |
The Asian American spectator and the politics of realism | p. 381 |
"So much more than just myself" : women theatre artists in the south | p. 383 |
The challenges of diversity : questions and complications | p. 385 |
Eve's version | p. 388 |
I see Messiah | p. 390 |
Karen Finley : a constant state of becoming : an interview | p. 392 |
Annie Sprinkle : dialectical image | p. 394 |
A woman's perspective on Shakespeare | p. 398 |
In the company of women : Carol Gilligan and Kristin Linklater collaborate to free women's voices | p. 400 |
Mabou Mines' Ruth Maleczech plays Lear | p. 402 |
Strategies for subverting the canon | p. 404 |
Lois Weaver on feminist acting : an interview | p. 408 |
The triune voice | p. 410 |
Anne Bogart - viewpoints : an interview | p. 412 |
From Ruby Dee's memory book | p. 415 |
Joanne Woodward : changing people's minds | p. 418 |
The integrity of Estelle Parsons | p. 420 |
I love heroines : Cherry Jones | p. 422 |
Theatre role models | p. 424 |
Kathleen Chalfant : creative life and death | p. 426 |
Where do plays come from? : (a conference of women playwrights) | p. 429 |
White gloves or bare hands | p. 432 |
Politically incorrect : Paula Vogel : an interview | p. 435 |
Margaret Edson : kindergarten is where it happens | p. 438 |
We are not only ourselves : Naomi Wallace : in conversation | p. 440 |
Why I write for television | p. 443 |
Women at the Helm | p. 447 |
Maria Irene Fornes : the playwright as director : an interview | p. 454 |
Elizabeth LeCompte | p. 456 |
Julie Taymor : a woman in charge | p. 458 |
Top girls | p. 460 |
When designers gather | p. 463 |
Marjorie Kellogg : collaboration | p. 464 |
Pat Zipprodt : visualize | p. 465 |
Patrizia von Brandenstein : film | p. 466 |
Pat Collins : technology | p. 467 |
Jean Rosenthal's light : making visible the magician | p. 468 |
Re-visioning scenography : a feminist's approach to design for the theatre | p. 471 |
Jane Alexander : she stoops to conquer | p. 474 |
1998 : year of the woman? | p. 475 |
Having her say : Emily Mann : an interview | p. 480 |
Sharing the work | p. 482 |
Anna Deavere Smith's House arrest | p. 484 |
Viewpoints on theatre now | p. 487 |
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