Dedication and Credits for Photographs |
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ix | |
Preface |
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xv | |
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1 | (5) |
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What Is a Play? Analysis and Improvisation |
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6 | (9) |
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PART I Taking a Play Apart |
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15 | (1) |
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PLAY-ANALYSIS: THE DIRECTOR'S PRIMARY STUDY |
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15 | (42) |
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The Foundation and Facade of the Playscript: Given Circumstances and Dialogue |
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17 | (11) |
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The Core of the Playscript: Dramatic Action and Characters |
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28 | (14) |
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42 | (11) |
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The Director's Preparation |
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53 | (4) |
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57 | (2) |
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THE DIRECTOR-ACTOR RELATIONSHIP AND STAGE BLOCKING |
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59 | (126) |
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Directing Is Working with Actors---1 |
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59 | (8) |
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Learning to See: The Games of Visual Perception |
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67 | (2) |
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Helping Actors Communicate through Groundplans |
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69 | (12) |
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Composition: Helping Actors Discover and Project Basic Relationships |
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81 | (28) |
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Helping Each Actor Intensify: Gesture and Improvisation with Properties |
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109 | (8) |
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Picturization: Helping a Group Intensify |
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117 | (11) |
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The Dynamic Tool of Movement |
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128 | (8) |
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Coordinating the Blocking Tools in Director-Actor Communication |
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136 | (6) |
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Helping Actors ``Speak'' a Play |
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142 | (12) |
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Directing Is Working with Actors---2 |
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154 | (31) |
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165 | (16) |
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181 | (4) |
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THE DIRECTOR'S DESIGN FUNCTION AND COMMUNICATING THROUGH STAGING |
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185 | (72) |
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185 | (6) |
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The Director and the Stage Machine: Symbolization and Synthesis |
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191 | (8) |
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Director's Options: Choice of the Stage |
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199 | (19) |
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Director's Options: Scenery, Properties, and Lighting |
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218 | (21) |
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Director's Options: Costume, Makeup, and Sound |
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239 | (18) |
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HELPING AUDIENCES RECEIVE A PLAY |
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257 | (8) |
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Responsibility to Audiences |
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257 | (8) |
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Designing and Directing Your Own Production |
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262 | (3) |
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265 | (1) |
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265 | (96) |
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Style Is Individual Expression |
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267 | (10) |
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Style in Playwriting and Playwrights |
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277 | (15) |
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The Director's Analysis of Style in a Playscript |
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292 | (14) |
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Style in Production: Making Decisions |
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306 | (13) |
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Style in Production: Modern Plays |
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319 | (14) |
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Style in Production: New Plays |
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333 | (5) |
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Style in Production: Plays of Past Ages |
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338 | (23) |
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355 | (6) |
Appendix 1: Musical Theatre and Opera |
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361 | (8) |
Appendix 2: The Director and the Dramaturg |
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369 | (4) |
Appendix 3: Your Future as a Director |
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373 | (10) |
Bibliography |
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383 | (8) |
Index |
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391 | |